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home·artworks·Amsterdam. The Old Warehouses.
Amsterdam. The Old Warehouses. by Anna Ostroumova-Lebedeva

plate no. 2151

Amsterdam. The Old Warehouses.

Anna Ostroumova-Lebedeva, 1913

woodcutPost-Impressionismcityscapebuildingswatercityscapereflectionskyhouses
some experience helpful

Recreating this painting will help students develop skills in capturing reflections and simplifying complex architectural forms into basic shapes. It also provides practice in using a limited color palette to create a cohesive and atmospheric scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, water, and sky, focusing on proportions and placement.

  2. step 02

    Establish the horizon line and the waterline.

  3. step 03

    Block in the main color areas for the buildings, using a diluted wash.

  4. step 04

    Add darker tones to define the shadows and architectural details.

  5. step 05

    Paint the reflections in the water, mirroring the colors and shapes of the buildings above.

  6. step 06

    Add details to the windows and other architectural elements.

  7. step 07

    Refine the sky and water, adding subtle color variations.

  8. step 08

    Add final touches and highlights to create depth and interest.

color palette

primary · burnt umber · raw sienna · ultramarine blue

secondary · cadmium red · yellow ochre

Mix burnt umber and ultramarine blue for the darker building tones. Use raw sienna and yellow ochre for the lighter areas. Add a touch of cadmium red to warm up the roof colors.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering
  • ·color mixing
  • ·reflection techniques

common pitfalls

  • →Overworking the details and losing the loose, expressive style.
  • →Making the reflections too literal and symmetrical.
  • →Using colors straight from the tube without mixing.
  • →Not establishing a clear value structure.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·water container
  • ·palette
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

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related guides

color theory for painters →how to learn by studying the masters →
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