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home·artworks·Aman I Mordecai
Aman I Mordecai by Paul Leroy

plate no. 0728

Aman I Mordecai

Paul Leroy, 1884

oilOrientalismgenre paintingfiguresarchitecturerobeshistorical sceneceremonycityscape
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating a sense of depth through atmospheric perspective. It also provides an opportunity to practice color mixing for skin tones and creating subtle variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, paying attention to the placement and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and colors, using thin washes of paint.

  3. step 03

    Begin to develop the figures, focusing on the light and shadow patterns on their robes and skin.

  4. step 04

    Add details to the architectural elements, such as the carvings and textures on the walls.

  5. step 05

    Refine the colors and values, paying attention to the overall harmony of the painting.

  6. step 06

    Add highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Work on the details of the faces and hands, capturing the expressions and gestures of the figures.

  8. step 08

    Add final touches and glazes to unify the painting and create a sense of atmosphere.

color palette

primary · ivory black · yellow ochre · raw umber · titanium white

secondary · alizarin crimson · ultramarine blue · viridian

Mix various shades of skin tones using white, yellow ochre, raw umber, and a touch of alizarin crimson. Achieve the muted tones of the architecture by mixing raw umber, ivory black, and white.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, yellow ochre, raw umber, titanium white, alizarin crimson, ultramarine blue, viridian)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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oil painting for beginners →how to learn by studying the masters →
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