apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Alleyway of Formia
Alleyway of Formia by Antonio Sicurezza

plate no. 0277

Alleyway of Formia

Antonio Sicurezza, 1956

oil, panelPost-Impressionismcityscapealleywayarchitecturearchesbuildingsfigurescityscape
some experience helpful

Recreating this painting will help students understand how to use light and shadow to create depth and form, and how to simplify complex architectural details into basic shapes. It will also provide practice in color mixing to achieve subtle variations in tone.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the alleyway, focusing on the arches and buildings.

  2. step 02

    Block in the main areas of color, starting with the darkest shadows and lightest highlights.

  3. step 03

    Begin refining the shapes of the buildings and arches, paying attention to the angles and proportions.

  4. step 04

    Mix and apply the various shades of gray, yellow, and brown to create the textures of the stone and plaster.

  5. step 05

    Add details such as the figures, the balcony, and the merchandise in the shop.

  6. step 06

    Refine the shadows and highlights to create a sense of depth and dimension.

  7. step 07

    Add final touches and adjust colors as needed.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · titanium white · yellow ochre · raw umber · ultramarine blue

secondary · burnt sienna · cadmium red light · viridian

Mix various shades of gray by combining white, raw umber, and ultramarine blue. Use yellow ochre and white for the sunlit areas, and burnt sienna for the warmer tones.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Getting the perspective wrong, which can make the painting look flat and distorted.
  • →Overworking the details, which can make the painting look too busy and cluttered.
  • →Failing to create enough contrast between the light and shadow areas.
  • →Using colors that are too saturated, which can make the painting look unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·painting medium
  • ·easel
  • ·odorless mineral spirits

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov