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home·artworks·Allen Kenney
Allen Kenney by Richard Whitney

plate no. 4748

Allen Kenney

Richard Whitney

oil, canvasContemporary Realismportraitportraitfigureboyclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering form with subtle value changes. It also provides practice in capturing likeness and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and shirt on the canvas.

  2. step 02

    Establish the background color with a thin wash of green, allowing some variation in tone.

  3. step 03

    Block in the main areas of color on the face, hair, and shirt, focusing on the overall values.

  4. step 04

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Develop the hair with layers of color, suggesting individual strands and highlights.

  6. step 06

    Work on the details of the shirt, accurately rendering the stripes and folds.

  7. step 07

    Refine the transitions between light and shadow on the face and clothing, creating a sense of depth.

  8. step 08

    Add final highlights and details to bring the portrait to life.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · viridian green

Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. The background green is a mix of viridian green and ultramarine blue with white added for highlights.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·value study
  • ·color mixing

common pitfalls

  • →Inaccurate proportions in the initial sketch can lead to a distorted likeness.
  • →Overworking the details too early can result in a stiff and unnatural appearance.
  • →Failing to accurately capture the values can flatten the form.
  • →Using too much paint can make the painting look muddy.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Burnt umber oil paint
  • ·Cadmium red oil paint
  • ·Ultramarine blue oil paint
  • ·Viridian green oil paint
  • ·Assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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