apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Allegory of Gluttony and Lust
Allegory of Gluttony and Lust by Hieronymus Bosch

plate no. 6473

Allegory of Gluttony and Lust

Hieronymus Bosch, 1500

oil, panelNorthern Renaissancereligious paintingfiguresbarreltentlandscapeclothingtable
experienced study

Recreating this painting will help students develop skills in rendering complex scenes with many figures and objects, as well as creating a sense of depth and atmosphere using subtle color variations and glazing techniques. It also provides practice in depicting human anatomy and drapery.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a warm brown or ochre base.

  2. step 02

    Lightly sketch the main compositional elements: the barrel, figures, tent, and foreground objects.

  3. step 03

    Begin blocking in the larger shapes with thin washes of color, focusing on establishing the overall value structure.

  4. step 04

    Gradually build up the details, working from general to specific.

  5. step 05

    Use layering and glazing techniques to create depth and luminosity in the colors.

  6. step 06

    Pay close attention to the anatomical details of the figures, using reference images as needed.

  7. step 07

    Add highlights and shadows to define the forms and create a sense of three-dimensionality.

  8. step 08

    Refine the details and add any final touches.

color palette

primary · yellow ochre · burnt umber · ivory black

secondary · raw sienna · titanium white · alizarin crimson

Achieve the muted tones by mixing earth pigments with white and small amounts of other colors. Use thin glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·layering

common pitfalls

  • →overworking the details too early
  • →using colors that are too bright or saturated
  • →failing to establish a strong value structure
  • →getting lost in the complexity of the composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for the best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley