apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Alden Brooks
Alden Brooks by Roderic O'Conor

plate no. 2435

Alden Brooks

Roderic O'Conor, 1916

oilPost-Impressionismportraitportraitfiguremanchairclothingbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating form with visible brushstrokes. It also provides practice in simplifying complex shapes and capturing a likeness.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background color with a thin wash.

  3. step 03

    Block in the main areas of color for the figure's clothing and skin, focusing on value.

  4. step 04

    Begin to refine the shapes and values of the face, paying attention to the light and shadow.

  5. step 05

    Add details to the chair and background, using visible brushstrokes to create texture.

  6. step 06

    Refine the edges of the forms and blend colors where necessary.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ultramarine blue · burnt umber · titanium white · cadmium red light

secondary · yellow ochre · ivory black

Mix various shades of blue and umber for the clothing and background. Create skin tones by mixing red, yellow ochre, white, and a touch of blue or umber to adjust the temperature.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Getting the proportions of the face wrong.
  • →Ignoring the subtle variations in skin tone.
  • →Not capturing the likeness of the subject.
  • →Overworking the painting.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ultramarine blue, burnt umber, titanium white, cadmium red light, yellow ochre, ivory black)
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov