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Afterglow by Ralph Blakelock

plate no. 9380

Afterglow

Ralph Blakelock

oilTonalismlandscapeskytreeslandscapesunsetwatersilhouette
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in simplifying complex forms into silhouettes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a warm, dark ground.

  2. step 02

    Sketch the basic shapes of the trees and the horizon line.

  3. step 03

    Block in the sky with broad strokes of warm browns, reds, and yellows, blending as you go.

  4. step 04

    Add darker tones to the upper sky and lighter tones near the horizon to create depth.

  5. step 05

    Paint the silhouettes of the trees with dark browns and blacks, varying the edges for interest.

  6. step 06

    Add highlights to the water to suggest the reflection of the sky.

  7. step 07

    Refine the details of the trees and sky, adding subtle variations in color and texture.

  8. step 08

    Let it dry and add a thin glaze to unify the colors.

color palette

primary · burnt umber · raw sienna · cadmium red

secondary · ivory black · yellow ochre · sap green

Mix burnt umber and ivory black for the dark silhouettes. Use raw sienna and yellow ochre for the warm glow of the sky. Add small amounts of cadmium red to warm the browns and create a sunset effect.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the trees.
  • →Making the sky too uniform in color.
  • →Not creating enough contrast between the sky and the trees.
  • →Using too much black, which can flatten the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A toned canvas with a warm, dark underpainting is highly recommended.

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oil painting for beginners →how to learn by studying the masters →
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