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home·artworks·After the bath
After the bath by Suzanne Valadon

plate no. 4122

After the bath

Suzanne Valadon, 1908

pastel, paperPost-Impressionismnude painting (nu)figurenudeinteriorchairwindowscreen
some experience helpful

Recreating this painting will help students develop skills in figure drawing, particularly proportion and gesture, as well as understanding how to use color to create form and depth. It also provides practice in capturing the essence of a scene with loose, expressive strokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the figure and major elements.

  2. step 02

    Establish the basic shapes of the figure, paying attention to proportions and gesture.

  3. step 03

    Block in the main color areas: the skin tones, the blue chair, the white cloth, the green screen, and the background.

  4. step 04

    Begin to refine the figure's form by adding shadows and highlights, using a combination of blending and hatching.

  5. step 05

    Develop the details of the chair and background, using similar techniques to create depth and texture.

  6. step 06

    Add the details of the face and hair, keeping the strokes loose and expressive.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a sense of harmony.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · flesh tones (ochre, white, red) · Prussian blue · white

secondary · green · yellow ochre · raw umber

Achieve the skin tones by mixing ochre, white, and a touch of red. The blue is used pure and mixed with white for highlights. The green is a mix of yellow and blue, with touches of orange.

techniques

  • ·hatching
  • ·blending
  • ·color layering
  • ·figure drawing
  • ·pastel application

common pitfalls

  • →Overworking the figure and losing the expressive quality of the strokes.
  • →Getting the proportions of the figure wrong.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated and unnatural.

materials

surface · drawing paper

required

  • ·pastel sticks
  • ·drawing paper
  • ·kneaded eraser
  • ·fixative spray
  • ·soft blending stump
  • ·ruler
  • ·pencil

optional

  • ·palette knife
  • ·tinted paper

Use soft pastels for easier blending. Fixative spray is essential to prevent smudging.

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related guides

color theory for painters →how to learn by studying the masters →
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