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home·artworks·After the Bath
After the Bath by Károly Lotz

plate no. 2038

After the Bath

Károly Lotz, 1880

oilAcademicismnude painting (nu)figuresnudesfoliagedraperyarchitecturelandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering skin tones, and creating soft, atmospheric effects with loose brushwork. It also provides practice in depicting drapery and suggesting form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the skin tones, paying close attention to the subtle shifts in color and value.

  4. step 04

    Add details to the faces and hands, focusing on capturing the expressions and gestures.

  5. step 05

    Render the drapery, using loose brushstrokes to suggest the folds and textures.

  6. step 06

    Paint the background foliage and architectural elements, using a limited palette of greens and browns.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · alizarin crimson · ultramarine blue · sap green

Achieve skin tones by mixing white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use raw umber and white for shadows and architectural elements. Mix greens from sap green and yellow ochre, adding blue for cooler tones.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones and losing the soft, atmospheric effect.
  • →Struggling with accurate proportions and anatomy of the figures.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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