apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·After All
After All by Charles Demuth

plate no. 9715

After All

Charles Demuth, 1933

oilPrecisionismcityscapebuildingsfactorysmokestackscityscapearchitectureindustrial
some experience helpful

Recreating this painting will help students understand geometric abstraction and how to simplify complex scenes into basic shapes. It will also improve their understanding of color mixing to achieve specific hues and values.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the buildings and smokestacks, focusing on accurate proportions and perspective.

  2. step 02

    Block in the large areas of color with diluted washes, starting with the sky and lighter tones.

  3. step 03

    Gradually build up the darker values in the buildings, using flat, even layers of paint.

  4. step 04

    Mix the specific shades of red, brown, and blue needed for the various structures, paying attention to subtle variations in tone.

  5. step 05

    Add details such as windows, pipes, and railings with a fine brush, using precise lines and geometric shapes.

  6. step 06

    Create subtle gradients on the smokestacks to suggest form and light.

  7. step 07

    Refine the edges of the shapes to create a crisp, clean look.

  8. step 08

    Add final details and highlights to enhance the sense of depth and realism.

color palette

primary · red · white · yellow · blue

secondary · brown · gray

Mix various shades of red by combining a primary red with white, brown, or a touch of blue. Create the gray tones by mixing white and black, adjusting with a touch of blue for cooler grays.

techniques

  • ·flat color application
  • ·geometric abstraction
  • ·color mixing
  • ·linear perspective
  • ·hard-edge painting

common pitfalls

  • →Inaccurate proportions in the initial sketch can throw off the entire painting.
  • →Uneven application of paint can create unwanted textures.
  • →Overcomplicating the color palette can lead to muddy or unrealistic colors.
  • →Failing to create a sense of depth can make the painting appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints (red, white, yellow, blue, brown, black)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 1/2 inch, 1 inch)
  • ·palette
  • ·water container
  • ·paper towels
  • ·ruler

optional

  • ·palette knife
  • ·easel
  • ·painting medium

Use high-quality acrylic paints for best results. Pre-primed canvas is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Perryville Station

Perryville Station

Martyl Langsdorf

Tree of My Life

Tree of My Life

Joseph Stella

New England Irrelevancies

New England Irrelevancies

Charles Sheeler

From Brooklyn Heights

From Brooklyn Heights

George Ault

Blue Morning Glory

Blue Morning Glory

Georgia O'Keeffe

Ghost Ranch Painting

Ghost Ranch Painting

Georgia O'Keeffe

The Red Hat

The Red Hat

Joseph Stella

Plums

Plums

Charles Demuth