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home·artworks·Adirondack Lake
Adirondack Lake by Alexander Helwig Wyant

plate no. 1952

Adirondack Lake

Alexander Helwig Wyant, 1870

oilTonalismlandscapelaketreesmountainsrockswatersky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle value changes. It also provides practice in rendering realistic textures for trees, rocks, and water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the mountain shape, and the placement of the trees and rocks.

  2. step 02

    Block in the sky with a light blue, gradually adding subtle variations in tone and small clouds.

  3. step 03

    Establish the dark mass of the mountain, paying attention to its subtle value changes and texture.

  4. step 04

    Paint the distant water, reflecting the sky and mountain, using horizontal strokes and muted colors.

  5. step 05

    Block in the trees with dark greens and browns, suggesting foliage with small, broken brushstrokes.

  6. step 06

    Paint the rocks in the foreground, using a mix of browns, grays, and ochre, and adding highlights to suggest form.

  7. step 07

    Add details to the water in the foreground, including reflections, ripples, and lily pads.

  8. step 08

    Refine the details of the trees, rocks, and foreground vegetation, adding highlights and shadows to create depth and realism.

color palette

primary · ultramarine blue · burnt umber · raw sienna

secondary · titanium white · yellow ochre · sap green

Mix ultramarine blue and burnt umber to create the dark tones for the mountain and trees. Use white to lighten the sky and water. Mix yellow ochre and burnt umber for the rocks and foreground details.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much bright color and failing to create a sense of depth.
  • →Making the reflections in the water too perfect and unnatural.
  • →Not paying attention to the subtle value changes in the mountain and trees.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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