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home·artworks·Adam's House
Adam's House by Edward Hopper

plate no. 6385

Adam's House

Edward Hopper, 1928

watercolorNew Realismcityscapehousetreesskystreetfencetelephone pole
some experience helpful

Recreating this painting will help students develop skills in watercolor layering, creating depth through atmospheric perspective, and simplifying complex shapes into basic forms. It also provides practice in capturing the effects of light and shadow on architectural forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the house, trees, telephone pole, and fence.

  2. step 02

    Establish the horizon line and basic perspective of the street.

  3. step 03

    Apply a light wash of diluted blue and gray for the sky, allowing it to dry.

  4. step 04

    Paint the distant buildings with muted blues and grays to create atmospheric perspective.

  5. step 05

    Begin layering washes on the house, starting with the lightest values and gradually building up the darker shadows.

  6. step 06

    Paint the trees with a mix of greens, yellows, and browns, using broken brushstrokes to suggest foliage.

  7. step 07

    Add details to the fence and telephone pole, paying attention to the cast shadows.

  8. step 08

    Refine the details and add final touches, such as the wires and the fire hydrant.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · raw sienna · payne's gray

Mix white with small amounts of blue and umber to create the various shades of white on the house. Use blue and umber to create grays for the sky and shadows. Mix yellow ochre with blue and umber for the greens of the trees.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·atmospheric perspective
  • ·layering
  • ·negative painting

common pitfalls

  • →Overworking the watercolor and losing the transparency.
  • →Making the shadows too dark too quickly.
  • →Not simplifying the complex shapes of the trees and foliage.
  • →Ignoring the subtle color variations in the white of the house.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 4, 8, 12)
  • ·flat brush (1 inch)
  • ·palette
  • ·water container
  • ·masking tape
  • ·pencil

optional

  • ·palette knife
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Consider using masking tape to secure the paper to a board.

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watercolor techniques →how to learn by studying the masters →
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