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home·artworks·Achilles Street
Achilles Street by Spyros Vassiliou

plate no. 7056

Achilles Street

Spyros Vassiliou, 1953

oilPost-Impressionismcityscapebuildingsstreetseaskyarchitecturesailboat
some experience helpful

Recreating this painting will help students understand perspective and how to simplify complex architectural forms into basic shapes. It also provides practice in mixing muted color tones and creating atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the street, paying attention to perspective.

  2. step 02

    Block in the sky and sea with thin washes of color.

  3. step 03

    Establish the main colors of the buildings, focusing on the overall tones rather than precise details.

  4. step 04

    Add shadows and highlights to create depth and dimension.

  5. step 05

    Develop the texture of the street using broken brushstrokes and varying colors.

  6. step 06

    Refine the details of the architectural elements, such as windows, doors, and balconies.

  7. step 07

    Add the sailboat and distant hills to complete the scene.

  8. step 08

    Adjust colors and values as needed to create a harmonious composition.

color palette

primary · raw umber · burnt sienna · titanium white · cadmium orange

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix muted earth tones by combining raw umber, burnt sienna, and white. Use small amounts of blue and red to create variations in the building colors. Add white to create lighter values and atmospheric perspective.

techniques

  • ·blocking in
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing
  • ·linear perspective

common pitfalls

  • →Getting the perspective wrong, which will make the buildings look distorted.
  • →Using colors that are too bright or saturated, which will clash with the muted tones of the painting.
  • →Overworking the details, which will make the painting look stiff and unnatural.
  • →Ignoring the atmospheric perspective, which will flatten the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium orange oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·easel
  • ·odorless mineral spirits

Use a limited palette of earth tones to capture the muted colors of the scene. Thin the paint with linseed oil to create transparent washes.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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