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home·artworks·Above the Clouds
Above the Clouds by Ralph Blakelock

plate no. 3083

Above the Clouds

Ralph Blakelock, 1875

oilTonalismlandscapelandscapetreesskymountainsfigurepath
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as using broken color to suggest texture and detail in the landscape. It's also good practice for creating a sense of distance through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the horizon line and major elements like the tree and path.

  2. step 02

    Establish the sky with broad, horizontal strokes, blending light and dark tones to suggest clouds.

  3. step 03

    Block in the distant mountains with muted colors, using darker values for areas in shadow and lighter values for areas in light.

  4. step 04

    Develop the foreground with layers of color, focusing on the path and the rocky terrain.

  5. step 05

    Add details to the tree, using a smaller brush to create the branches and foliage.

  6. step 06

    Introduce highlights and shadows to create depth and dimension in the landscape.

  7. step 07

    Paint the figure with simple shapes and colors, keeping it small and indistinct to maintain the overall sense of scale.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes of color for the distant mountains and thicker layers for the foreground.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and distance.
  • →Making the figure too prominent or detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall color scheme.

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