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home·artworks·Abdel Ghourem And Nour El Aïn (slave Of Love And Light Of The Eyes)
Abdel Ghourem And Nour El Aïn (slave Of Love And Light Of The Eyes) by Nasreddine Dinet

plate no. 5829

Abdel Ghourem And Nour El Aïn (slave Of Love And Light Of The Eyes)

Nasreddine Dinet, 1900

oil, canvasOrientalismgenre paintingfigurescoupleclothingjewelryfoliagenight
experienced study

Recreating this painting will help students develop skills in rendering skin tones with subtle variations and capturing the texture of fabrics and jewelry. It also provides practice in depicting complex overlapping forms and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and background.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Develop the skin tones, paying attention to the subtle variations in light and shadow.

  4. step 04

    Add details to the clothing and jewelry, using smaller brushes and more opaque paint.

  5. step 05

    Paint the background foliage, using a variety of greens and pinks to create a sense of depth.

  6. step 06

    Refine the details of the faces, focusing on the eyes and expressions.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · alizarin crimson

secondary · ultramarine blue · yellow ochre · sap green

Achieve skin tones by mixing burnt umber, raw sienna, titanium white, and alizarin crimson. Use ultramarine blue and burnt umber for dark shadows. Mix yellow ochre and sap green for foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Neglecting the importance of edges.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, alizarin crimson, ultramarine blue, yellow ochre, sap green)
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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