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home·artworks·Abandoned garden
Abandoned garden by Santiago Rusinol

plate no. 7856

Abandoned garden

Santiago Rusinol, 1898

oilPost-Impressionismlandscapegardenfountainbuildingtreeshedgesarchitecture
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and understanding atmospheric perspective to create depth. It also provides practice in depicting architectural details and organic forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the fountain, building, and hedges.

  2. step 02

    Establish the horizon line and vanishing point to guide perspective.

  3. step 03

    Block in the main color areas: sky, building facade, hedges, and ground.

  4. step 04

    Begin adding details to the building, including windows, statues, and decorative elements.

  5. step 05

    Develop the foliage of the trees, using broken color to create texture and light.

  6. step 06

    Refine the fountain, paying attention to its form and the play of light on its surface.

  7. step 07

    Add details to the hedges, using darker tones to create depth and shadow.

  8. step 08

    Adjust the overall color balance and add final highlights and details.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · sap green · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for warmer or cooler tones. Achieve the building's colors by mixing yellow ochre with small amounts of red, blue, and white. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Failing to establish a clear perspective, resulting in a flat or distorted composition.
  • →Overworking the details, leading to a stiff and unnatural appearance.
  • →Using colors straight from the tube without mixing, resulting in a lack of harmony.
  • →Ignoring the subtle variations in color and value, leading to a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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