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home·artworks·A Worker at Celeyran
A Worker at Celeyran by Henri de Toulouse-Lautrec

plate no. 5658

A Worker at Celeyran

Henri de Toulouse-Lautrec, 1882

oil, canvasPost-Impressionismportraitportraitmanprofilefiguresmokinghead
some experience helpful

Recreating this painting will help students develop skills in capturing likeness with expressive brushstrokes and understanding how to use a limited palette to create depth and form. It also provides practice in depicting light and shadow on a complex subject like a human face.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Establish the background with broad, loose strokes of dark browns and grays.

  3. step 03

    Block in the main areas of light and shadow on the face using a limited palette of browns, ochres, and whites.

  4. step 04

    Refine the facial features, paying attention to the subtle variations in tone and color.

  5. step 05

    Add details such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Develop the clothing with loose, gestural strokes, suggesting form and texture.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black

Mix burnt umber and white for lighter skin tones, adding small amounts of yellow ochre for warmth. Use ivory black sparingly to darken shadows and create contrast.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·impasto

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Using too much color and creating a muddy effect.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for expressive brushstrokes. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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