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home·artworks·A Western Lough
A Western Lough by Paul Henry

plate no. 6450

A Western Lough

Paul Henry

oilPost-Impressionismlandscapemountainscloudslakegrassskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in clouds and distant mountains. It also provides practice in creating texture with brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, lake, and horizon line.

  2. step 02

    Block in the sky with light blues and grays, paying attention to the cloud shapes.

  3. step 03

    Establish the base colors of the mountains, using muted blues and grays, and indicating the light and shadow areas.

  4. step 04

    Paint the distant landmass with dark greens and browns, softening the edges to create depth.

  5. step 05

    Block in the lake with reflections of the sky and mountains, using horizontal brushstrokes.

  6. step 06

    Add the foreground grasses and reeds with vertical strokes, varying the colors and values.

  7. step 07

    Refine the details of the clouds, mountains, and foreground, adding highlights and shadows.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired atmospheric effect.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · payne's gray

Mix blues and whites for the sky and mountains, adding small amounts of umber and sienna to create muted tones. Use yellow ochre and burnt sienna for the grasses, mixing with umber for darker areas.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·wet-on-dry blending

common pitfalls

  • →Overworking the details in the distant mountains.
  • →Creating too much contrast in the foreground.
  • →Using colors that are too saturated.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·palette knife

optional

  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette

Use a limited palette of colors to create a harmonious and unified painting. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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