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home·artworks·A Visit to the Boarding School
A Visit to the Boarding School by George Morland

plate no. 9706

A Visit to the Boarding School

George Morland, 1788

oilRococogenre paintingfiguresinteriorarchitecturegardenchildrenclothing
experienced study

Recreating this painting will help students develop skills in figure drawing, capturing realistic skin tones, and creating depth through atmospheric perspective. It also provides practice in rendering complex drapery and interior spaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the basic value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin blocking in the main colors of the figures' clothing, focusing on accurate color mixing.

  4. step 04

    Develop the background, starting with the garden scene and then moving to the interior walls and fireplace.

  5. step 05

    Refine the details of the figures' faces and hands, paying close attention to light and shadow.

  6. step 06

    Add highlights and shadows to create volume and dimension in the clothing and other objects.

  7. step 07

    Glaze thin layers of color to unify the painting and create depth.

  8. step 08

    Add final details, such as the hat on the floor and the decorative elements on the fireplace.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cadmium red · ultramarine blue · viridian

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Use ultramarine blue and burnt umber to create a range of grays for the interior walls. Mix viridian with yellow ochre and white for the greens of the garden.

techniques

  • ·figure drawing
  • ·glazing
  • ·atmospheric perspective
  • ·drapery rendering
  • ·portraiture

common pitfalls

  • →Incorrect proportions in the figures.
  • →Muddy or unrealistic skin tones.
  • →Lack of depth and atmospheric perspective.
  • →Overworking the details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·viridian oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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