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home·artworks·A View of the River Arno, Towards Ponte Vecchio in Florence
A View of the River Arno, Towards Ponte Vecchio in Florence by Lili Elbe

plate no. 9883

A View of the River Arno, Towards Ponte Vecchio in Florence

Lili Elbe

oilPost-Impressionismcityscapebridgeriverbuildingscityscapearchitecturewater
some experience helpful

This painting provides practice in rendering atmospheric perspective and capturing the subtle color variations in a cityscape. Students will develop skills in layering colors and creating depth through value and color temperature changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the bridge, buildings, and river, paying attention to perspective.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the large areas of color for the sky, water, and buildings using thin washes.

  4. step 04

    Develop the values and colors of the bridge and buildings, working from dark to light.

  5. step 05

    Add details to the buildings and bridge, such as windows, arches, and reflections.

  6. step 06

    Refine the colors and values of the water, creating a sense of depth and movement.

  7. step 07

    Soften edges and blend colors to create atmospheric perspective.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · titanium white · raw umber · cadmium red light

Mix various shades of ochre and sienna with white to create the warm tones of the buildings. Use ultramarine blue and raw umber for the cooler tones of the water and distant buildings. Add small amounts of red to warm up the browns and create variations in the building colors.

techniques

  • ·atmospheric perspective
  • ·color layering
  • ·broken color
  • ·scumbling
  • ·wet-on-dry blending

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes sizes 2, 4, 6
  • ·flat brushes sizes 4, 8
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water for cleanup

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-grit canvas for best results. Consider using a toned canvas to simplify the initial color blocking.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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