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home·artworks·A View of Salzburg
A View of Salzburg by Konstantin Gorbatov

plate no. 0613

A View of Salzburg

Konstantin Gorbatov

oil, canvasPost-Impressionismlandscapecityscapemountainsriverbuildingstreessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering colors to create depth. Students will also learn how to simplify complex architectural details and capture the overall impression of a scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, city, and river, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and the main perspective lines of the buildings.

  3. step 03

    Block in the large areas of color for the sky, mountains, water, and foreground.

  4. step 04

    Start layering colors to create depth and atmosphere, using cooler colors for distant objects.

  5. step 05

    Add details to the buildings, simplifying the architectural elements and focusing on the overall shapes.

  6. step 06

    Paint the trees and foliage in the foreground, using a variety of greens and browns.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · cadmium yellow · viridian green · alizarin crimson

Mix blues and whites for the sky and distant mountains. Use yellow ochre and burnt umber for the buildings and mountains. Mix greens with blues and yellows for the foliage. Add small amounts of red to neutralize greens and browns.

techniques

  • ·layering
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·simplifying details

common pitfalls

  • →overworking the details
  • →not establishing a clear focal point
  • →using too much detail in distant objects
  • →muddying the colors by over-mixing

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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