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home·artworks·A Turn in the Road at La Roche-Guyon
A Turn in the Road at La Roche-Guyon by Paul Cezanne

plate no. 9263

A Turn in the Road at La Roche-Guyon

Paul Cezanne, 1885

oil, canvasPost-Impressionismlandscapevillagebuildingsroadhillstreessky
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as loose brushwork to suggest form and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the buildings, road, and hills.

  2. step 02

    Block in the large areas of color, starting with the sky and the road, using thin washes.

  3. step 03

    Begin layering colors to define the forms of the buildings and hills, paying attention to the light and shadow.

  4. step 04

    Add details to the trees and foliage, using short, broken brushstrokes.

  5. step 05

    Refine the shapes and edges of the buildings and other elements.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Check for overall balance and harmony, and make any necessary adjustments.

  8. step 08

    Let dry and add a varnish coat.

color palette

primary · yellow ochre · viridian green · titanium white

secondary · burnt sienna · ultramarine blue · cadmium yellow

Mix greens by combining yellow ochre and viridian green. Achieve the off-white tones by mixing titanium white with small amounts of yellow ochre and burnt sienna.

techniques

  • ·broken color
  • ·color layering
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and losing the overall impression.
  • →Not paying attention to the color relationships and creating a muddy effect.
  • →Ignoring the atmospheric perspective and flattening the space.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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