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home·artworks·A Terrace in Morocco
A Terrace in Morocco by Benjamin Constant

plate no. 1464

A Terrace in Morocco

Benjamin Constant, 1880

oilOrientalismgenre paintingfiguresarchitectureskyfoliagecityscapeterrace
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and depicting architectural details with varied textures. It also provides practice in creating depth through atmospheric perspective and managing a complex composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and architectural elements.

  2. step 02

    Establish the sky and distant cityscape with thin washes of color.

  3. step 03

    Block in the main colors of the figures and the terrace wall, paying attention to local color and value.

  4. step 04

    Develop the details of the figures' clothing and jewelry, using smaller brushes and more precise strokes.

  5. step 05

    Add texture to the terrace wall and architectural details with dry brushing and scumbling techniques.

  6. step 06

    Refine the foliage and add highlights to create depth and dimension.

  7. step 07

    Adjust the overall color balance and value contrast to create a cohesive and harmonious image.

  8. step 08

    Add final details, such as the birds in the sky and the small figures in the cityscape.

color palette

primary · ultramarine blue · burnt umber · titanium white · emerald green

secondary · yellow ochre · cadmium red · ivory black

Mix various shades of blue and white for the sky. Create earthy tones by mixing burnt umber with yellow ochre and white. Achieve the green hues by mixing emerald green with yellow ochre and a touch of blue.

techniques

  • ·figure drawing
  • ·architectural rendering
  • ·atmospheric perspective
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Inaccurate proportions of figures and architecture
  • →Ignoring atmospheric perspective and depth

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (listed in color palette)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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