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home·artworks·A Sunny Terrace
A Sunny Terrace by Konstantin Gorbatov

plate no. 4475

A Sunny Terrace

Konstantin Gorbatov, 1930

oil, canvasPost-Impressionisminteriorinteriorarcheschairstableflowerslight
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as practice creating depth through layering and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the arches, tables, and chairs.

  2. step 02

    Establish the main light source and areas of shadow with a thin wash of neutral color.

  3. step 03

    Block in the large shapes of color, such as the walls, sky, and tablecloths.

  4. step 04

    Begin layering colors to create depth and dimension, paying attention to the subtle shifts in hue and value.

  5. step 05

    Add details to the chairs, flowers, and other objects, using smaller brushes.

  6. step 06

    Refine the edges and highlights to create a sense of realism.

  7. step 07

    Add final details and adjust values as needed.

  8. step 08

    Varnish the painting when dry to protect the surface and enhance the colors.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt sienna

secondary · cadmium red · viridian green · raw umber

Mix white with small amounts of yellow ochre and blue to create the cool tones of the walls. Use burnt sienna and ultramarine blue to create shadows. Achieve the blues of the table cloth by mixing ultramarine with white and a touch of yellow.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a clear light source.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle shifts in hue and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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