apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Stroll in Brighton
A Stroll in Brighton by Fred Yates

plate no. 0304

A Stroll in Brighton

Fred Yates

oilNaïve Art (Primitivism)cityscapestreetfiguresbuildingstreestunnelcityscape
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes and using expressive brushstrokes to create texture and movement. It also encourages observation of color variations in shadows and highlights.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, road, and tunnel, focusing on the overall composition.

  2. step 02

    Block in the large areas of color for the sky, road, and buildings using thin washes.

  3. step 03

    Add darker values to define shadows and create depth, especially around the tunnel and buildings.

  4. step 04

    Begin adding details to the buildings and trees using thicker paint and visible brushstrokes.

  5. step 05

    Paint the figures with simple shapes and colors, focusing on their placement and interaction with the environment.

  6. step 06

    Use small, deliberate brushstrokes to add highlights and details to the figures and buildings.

  7. step 07

    Refine the details and add any final touches, such as the branches of the trees and the texture of the road.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · cerulean blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · sap green

Mix blues and browns with white to create the muted tones of the road and sky. Use red and yellow to create the brick color of the tunnel. Mix greens and browns for the foliage.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating muddy colors by over-mixing on the palette.
  • →Making the figures too detailed and drawing attention away from the overall composition.
  • →Not varying the brushstrokes enough to create visual interest.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (#2, #6, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·rags
  • ·container for cleaning brushes

optional

  • ·easel
  • ·painting medium
  • ·varnish

A slightly textured canvas will enhance the effect of the dry brush technique. Use a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden