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home·artworks·A Street In The Oasis Of Chetma
A Street In The Oasis Of Chetma by Maurice Bompard

plate no. 6823

A Street In The Oasis Of Chetma

Maurice Bompard

oilOrientalismgenre paintingfiguresarchitecturebuildingsstreetdesertpalm trees
some experience helpful

Recreating this painting will help students develop skills in rendering figures in simple drapery and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the texture of aged buildings.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and figures.

  2. step 02

    Establish the light source and map out the areas of light and shadow.

  3. step 03

    Block in the main colors of the buildings, using a limited palette of earth tones.

  4. step 04

    Begin adding details to the buildings, such as the texture of the walls and the shapes of the doorways.

  5. step 05

    Paint the figures, paying attention to the folds of their clothing and their poses.

  6. step 06

    Add the details of the background, such as the palm trees and the distant figures.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and texture.

color palette

primary · burnt sienna · raw umber · titanium white

secondary · yellow ochre · ultramarine blue

Mix burnt sienna and raw umber with white to create the various shades of the buildings. Add a touch of blue to the white for the sky. Use yellow ochre to warm up the earth tones.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Making the buildings too detailed and losing the overall sense of atmosphere.
  • →Using too much color and making the painting look unnatural.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use a medium-grit canvas to create a textured surface. Consider using a warm-toned ground to unify the colors.

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oil painting for beginners →how to learn by studying the masters →
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