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home·artworks·A Social History of the State of Missouri (detail) - Beer Making
A Social History of the State of Missouri (detail) - Beer Making by Thomas Hart Benton

plate no. 8007

A Social History of the State of Missouri (detail) - Beer Making

Thomas Hart Benton, 1936

oilRegionalismgenre paintingfiguresindustrymachinesbarrelsbuildingscityscape
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating depth through layering and atmospheric perspective. It also provides practice in rendering metallic and wooden textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and machinery.

  2. step 02

    Block in the major shapes and forms with simplified color masses, focusing on the large areas of color.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the figures and objects.

  4. step 04

    Develop the details of the figures, paying attention to anatomy and facial expressions.

  5. step 05

    Refine the details of the machinery and architectural elements, focusing on accurate perspective.

  6. step 06

    Add texture to the surfaces of the objects, such as the wood grain on the barrels and the metallic sheen on the machinery.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · raw sienna · payne's gray

Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white. Use burnt umber and ultramarine blue to create dark shadows and grays. Mix raw sienna with white for highlights on wooden surfaces.

techniques

  • ·figure drawing
  • ·linear perspective
  • ·atmospheric perspective
  • ·color layering
  • ·rendering textures

common pitfalls

  • →Incorrect proportions in figures
  • →Inaccurate perspective on machinery and buildings
  • →Muddy colors due to over-mixing
  • →Lack of depth and atmosphere
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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