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home·artworks·A scandal
A scandal by Jehan Georges Vibert

plate no. 5002

A scandal

Jehan Georges Vibert

oilAcademicismgenre paintingfiguresarchitectureflowersarchescolumnsmural
some experience helpful

Recreating this painting will help students develop skills in rendering figures in complex poses and painting architectural details with subtle color variations. It also provides practice in creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the architectural details, paying attention to the light and shadow.

  4. step 04

    Paint the figures, starting with the larger forms and gradually adding details.

  5. step 05

    Add the flowers and other foreground elements.

  6. step 06

    Refine the colors and values throughout the painting.

  7. step 07

    Add final details and highlights.

  8. step 08

    Glaze to unify colors and add depth.

color palette

primary · titanium white · yellow ochre · cadmium red · ultramarine blue

secondary · burnt umber · raw sienna · alizarin crimson · viridian

Mix various shades of beige and cream by combining white, yellow ochre, and a touch of burnt umber. Achieve the pinkish hues of the columns by mixing white, cadmium red, and a small amount of ultramarine blue. Create the flower colors by mixing cadmium red, alizarin crimson, ultramarine blue, and titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering

common pitfalls

  • →Incorrect proportions of figures and architecture.
  • →Overworking the details too early.
  • →Failing to create a sense of depth.
  • →Muddying the colors by overmixing.
  • →Ignoring the light and shadow patterns.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (titanium white, yellow ochre, cadmium red, ultramarine blue, burnt umber, raw sienna, alizarin crimson, viridian)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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