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home·artworks·A Royal Procession
A Royal Procession by Rudolf Ernst

plate no. 8745

A Royal Procession

Rudolf Ernst

oilOrientalismgenre paintingmarketcamelsfiguresarchitecturebridgesky
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering complex scenes with numerous figures and architectural details. Students will also learn to mix a range of earth tones and create a sense of depth through careful value control.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: bridge, buildings, figures, and horizon line.

  2. step 02

    Block in the large areas of color, starting with the sky and distant mountains.

  3. step 03

    Establish the basic values for the architecture and ground, focusing on the light and shadow patterns.

  4. step 04

    Begin adding details to the bridge and buildings, paying attention to the texture of the stone.

  5. step 05

    Paint in the figures, starting with the larger shapes and gradually adding details.

  6. step 06

    Work on the camels and other animals, capturing their forms and textures.

  7. step 07

    Refine the details throughout the painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium yellow · raw sienna · ivory black

Achieve the warm earth tones by mixing burnt umber, yellow ochre, and white. Use ultramarine blue and white for the sky, and add small amounts of yellow ochre or burnt umber to create variations in the blue. Mix small amounts of ivory black with other colors to create shadows.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and values.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying attention to the proportions of the figures and animals.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·ivory black oil paint

Use a medium-tooth canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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