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home·artworks·A Room (in the Second Post-Impressionist)
A Room (in the Second Post-Impressionist) by Roger Fry

plate no. 4324

A Room (in the Second Post-Impressionist)

Roger Fry, 1912

oilPost-Impressionisminteriorinteriorroomfigurepaintingsfurnituredoorway
some experience helpful

Recreating this painting will help students understand atmospheric perspective and practice mixing muted color palettes. It also provides practice in capturing the essence of a scene with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the room, including the doorway and furniture.

  2. step 02

    Block in the large areas of color: walls, floor, sofa, and doorway.

  3. step 03

    Mix a range of muted greens and browns for the walls and floor, varying the tones slightly to create depth.

  4. step 04

    Add the darker values for the sofa and the shadows around the doorway.

  5. step 05

    Paint the figure on the sofa, focusing on capturing the pose and general form rather than precise details.

  6. step 06

    Add the paintings on the wall, using simplified shapes and colors to suggest their content.

  7. step 07

    Refine the details of the doorway and the objects in the background, using lighter values to create atmospheric perspective.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · olive green · brown · gray

secondary · ochre · blue · red

Mix greens by combining blues and yellows with a touch of brown or black to mute the colors. Achieve the various shades of brown by mixing burnt umber, sienna, and ochre with white or black.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·simplified forms
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Using colors that are too bright or saturated
  • →Ignoring the perspective of the room
  • →Not varying the tones of the walls and floor enough
  • →Making the figure too detailed

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette of colors to simplify the mixing process. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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