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home·artworks·A Man with a Pair of Dividers
A Man with a Pair of Dividers by Gentile Bellini

plate no. 0353

A Man with a Pair of Dividers

Gentile Bellini

oilEarly Renaissanceportraitportraitmandividersclothinghathand
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. It also provides practice in rendering realistic textures, particularly in the clothing and hair.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure.

  2. step 02

    Block in the main shapes and areas of value, focusing on the dark background and the figure's clothing.

  3. step 03

    Start building up the skin tones with thin layers of paint, paying close attention to the subtle shifts in value.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth, using small brushes.

  5. step 05

    Add the details of the clothing, hat, and dividers, paying attention to the textures and folds.

  6. step 06

    Work on the hair, using light strokes to create the impression of individual strands.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Mix ivory black and raw umber to create the dark tones for the background and clothing. Use titanium white to lighten these tones and create highlights. Mix yellow ochre and burnt sienna for the skin tones, adjusting the proportions to create different shades.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the face
  • →Overblending the skin tones
  • →Failing to create a sense of depth
  • →Inaccurate rendering of the clothing folds

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will be easier to blend on.

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oil painting for beginners →how to learn by studying the masters →
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