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home·artworks·A Man of the Hills
A Man of the Hills by Paul Henry

plate no. 7930

A Man of the Hills

Paul Henry, 1913

oilPost-Impressionismportraitportraitmanhatfigureshadow
some experience helpful

Recreating this painting will help students develop skills in simplifying forms and using a limited palette to create a cohesive and expressive portrait. It also emphasizes the importance of brushstroke direction to convey form and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, hat, and shoulders, focusing on proportions.

  2. step 02

    Block in the darkest areas of the hat and face with a dark brown or black.

  3. step 03

    Establish the mid-tones using a mix of browns, ochres, and a touch of white, paying attention to the light source.

  4. step 04

    Add highlights to the face and clothing using lighter shades of ochre and white, keeping the brushstrokes loose and expressive.

  5. step 05

    Define the edges of the hat and face with darker tones, but avoid hard lines.

  6. step 06

    Create the background with a mix of muted greens and browns, using vertical brushstrokes to suggest texture.

  7. step 07

    Refine the details of the face, such as the eyes, nose, and mouth, using small, controlled brushstrokes.

  8. step 08

    Add final touches and highlights to create depth and dimension.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · burnt sienna · ivory black

Achieve the muted tones by mixing the primary colors with small amounts of black and white. Use more yellow ochre for highlights and burnt sienna for warmer shadows.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·expressive brushwork

common pitfalls

  • →Overworking the details
  • →Using too many colors
  • →Creating hard edges
  • →Ignoring the direction of brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·#6 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a slightly textured surface to enhance the brushwork. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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