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home·artworks·A Lady in a Tang Poem.
A Lady in a Tang Poem. by Xu Beihong

plate no. 1684

A Lady in a Tang Poem.

Xu Beihong, 1939

oilPost-Impressionismgenre paintingfiguretreeblossomslandscapetraditional clothingfoliage
some experience helpful

Recreating this painting will help students develop skills in layering washes, creating subtle value gradations, and depicting organic forms with expressive brushstrokes. It also provides practice in figure painting within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figure and the main tree branches.

  2. step 02

    Apply a thin wash of diluted brown or ochre to establish the background tone.

  3. step 03

    Begin layering darker values to define the tree trunk and branches, using a dry brush technique for texture.

  4. step 04

    Paint the figure's clothing, starting with the lighter areas and gradually adding shadows and details.

  5. step 05

    Add the blossoms using small, delicate brushstrokes of white and pale pink.

  6. step 06

    Define the facial features and hair with fine lines and subtle shading.

  7. step 07

    Add details to the foreground foliage, using varying shades of green and brown.

  8. step 08

    Refine the overall composition and add any final touches.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ivory black · raw sienna · cadmium yellow light

Achieve the various brown tones by mixing burnt umber with white, yellow ochre, or raw sienna. Use white to create pale tints for the blossoms and figure's clothing.

techniques

  • ·dry brush
  • ·layering washes
  • ·scumbling
  • ·blending
  • ·rendering fine details

common pitfalls

  • →Overworking the details too early
  • →Creating muddy colors by over-mixing
  • →Losing the overall sense of light and atmosphere
  • →Incorrect proportions of the figure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·assorted round and flat brushes
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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