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home·artworks·A Kerry Lake
A Kerry Lake by Paul Henry

plate no. 5101

A Kerry Lake

Paul Henry

oilPost-Impressionismlandscapemountainslakecloudsgrassreflectionlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in using a limited color palette to create a cohesive landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountains and clouds.

  2. step 02

    Block in the sky with light blues and grays, blending the colors softly.

  3. step 03

    Paint the distant mountains with muted blues and purples, using lighter values for the more distant peaks.

  4. step 04

    Add the band of land with yellows and browns, creating a sense of depth with slightly darker values in the foreground.

  5. step 05

    Begin painting the water, using a base of light gray and adding reflections of the sky and land.

  6. step 06

    Paint the grasses in the foreground with warm yellows and browns, using vertical strokes to create texture.

  7. step 07

    Refine the details of the reflections in the water, paying attention to the shapes and values.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Mix blues and umber for the mountains. Use white to lighten values and create atmospheric perspective. Mix yellow ochre and burnt sienna for the grasses.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·reflection techniques

common pitfalls

  • →Overworking the details in the reflections.
  • →Creating too much contrast in the mountains, losing the sense of distance.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Not establishing a clear focal point.
  • →Ignoring the importance of value relationships.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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