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home·artworks·A Horse in Marseille
A Horse in Marseille by Albert Marquet

plate no. 3885

A Horse in Marseille

Albert Marquet, 1916

oilPost-Impressionismcityscapecityscapewaterfiguresbuildingshorseboat
some experience helpful

Recreating this painting will help students learn to simplify complex scenes into basic shapes and practice color mixing to achieve a harmonious, muted palette. It also provides an opportunity to practice creating depth using atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the horizon line and major elements.

  2. step 02

    Block in the large areas of color, starting with the sky and water, then the distant buildings and foreground.

  3. step 03

    Establish the basic values, paying attention to the light and shadow patterns on the buildings and ground.

  4. step 04

    Add details to the figures and boats, simplifying their forms and using a limited palette.

  5. step 05

    Refine the colors and values, blending where necessary to create a sense of atmosphere.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the edges of shapes, softening some and sharpening others to create visual interest.

  8. step 08

    Add final details and adjustments as needed.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix blues and browns with white to create the muted tones of the sky and water. Use yellow ochre and a touch of red to create the warm tones of the buildings and ground. Add small amounts of red to the blues to create the purplish tones in the distant hills.

techniques

  • ·blocking in
  • ·color mixing
  • ·atmospheric perspective
  • ·simplified forms
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall simplicity of the painting.
  • →Using colors that are too saturated and not achieving the muted palette.
  • →Failing to create a sense of depth and atmosphere.
  • →Making the figures too detailed and realistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a limited palette of colors to achieve the muted tones of the painting. A medium-sized canvas (16x20 or similar) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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