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home·artworks·A estudante russa
A estudante russa by Anita Malfatti

plate no. 5201

A estudante russa

Anita Malfatti, 1915

oilPost-Impressionismportraitportraitfigurechairclothingwomanhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and expressive brushwork. It will also help them understand how to simplify forms and capture a likeness using bold strokes and a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure and chair, paying attention to proportions.

  2. step 02

    Block in the background with a mix of blues, greens, and browns, using loose brushstrokes.

  3. step 03

    Establish the main areas of light and shadow on the figure's face and clothing with broad strokes.

  4. step 04

    Mix the skin tones using a base of yellow ochre, white, and a touch of red, and apply to the face and hands.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with darker tones and smaller brushstrokes.

  6. step 06

    Add details to the clothing and chair, using a variety of brushstrokes to create texture and depth.

  7. step 07

    Refine the edges and blend the colors where necessary to create a cohesive image.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green

Mix skin tones with yellow ochre, white, and a touch of red. Use ultramarine blue and burnt umber to create dark shadows. Mix viridian green with yellow ochre to create muted greens for the background.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color layering

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Using too much detail in the background, distracting from the figure.
  • →Not paying attention to the proportions of the figure.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·apron

Use a medium-tooth canvas to allow for visible brushstrokes. Use artist-grade oil paints for best results.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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