apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A busy market, North Africa
A busy market, North Africa by Gustavo Simoni

plate no. 8709

A busy market, North Africa

Gustavo Simoni, 1892

pen, ink, watercolor, paperOrientalismgenre paintingmarketfiguresarchitecturevegetablesNorth Africacrowd
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a crowd and creating atmospheric perspective with watercolor washes. It also provides practice in rendering architectural details and still life elements within a larger scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the buildings and the general arrangement of the figures.

  2. step 02

    Establish the basic color washes for the sky and the ground, using diluted watercolor.

  3. step 03

    Begin adding details to the buildings, using a fine brush to define edges and create shadows.

  4. step 04

    Start painting the figures, working from the background to the foreground, and simplifying details for distant figures.

  5. step 05

    Add color and texture to the vegetables and other market items in the foreground.

  6. step 06

    Refine the details of the figures and objects in the foreground, adding highlights and shadows to create depth.

  7. step 07

    Use dry brush techniques to add texture to the ground and the buildings.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and atmospheric scene.

color palette

primary · raw sienna · cerulean blue · titanium white

secondary · burnt umber · alizarin crimson · yellow ochre

Mix raw sienna with white for the buildings and ground. Use cerulean blue diluted with water for the sky. Mix burnt umber and alizarin crimson for shadows and darker tones.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·atmospheric perspective
  • ·figure painting
  • ·layering

common pitfalls

  • →Overworking the details in the background
  • →Creating muddy colors by over-mixing
  • →Failing to establish a clear focal point
  • →Not allowing washes to dry completely before adding subsequent layers

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·water container
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. A limited palette of colors can be mixed to achieve a wide range of tones.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti