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home·artworks·A Boy
A Boy by Augustus John

plate no. 3047

A Boy

Augustus John, 1915

oilPost-Impressionismportraitportraitfigureboyclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with visible brushstrokes. It's also a good exercise in limited color palettes and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the boy on the canvas.

  2. step 02

    Block in the background with a thin layer of neutral gray-brown.

  3. step 03

    Establish the main light and shadow areas on the face and clothing using mid-tones.

  4. step 04

    Begin refining the facial features, paying attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the hair, using short, directional brushstrokes.

  6. step 06

    Work on the clothing, capturing the folds and highlights with thicker paint.

  7. step 07

    Refine the edges and details throughout the painting, adjusting values and colors as needed.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ultramarine blue · cadmium red light

Mix various shades of skin tones using white, umber, sienna, and a touch of red. Use blue to cool down shadows. The shirt is mostly white with subtle gray and brown undertones.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color temperature

common pitfalls

  • →Overworking the details too early in the process.
  • →Getting the proportions of the face wrong.
  • →Making the skin tones too flat and lifeless.
  • →Ignoring the subtle value changes in the clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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