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home·artworks·67. The End Example of Styles 2017 by Anthony D. Padgett
67. The End    Example of Styles 2017 by Anthony D. Padgett by Anthony Padgett

plate no. 6643

67. The End Example of Styles 2017 by Anthony D. Padgett

Anthony Padgett, 2017

oilPost-Impressionismsymbolic paintinglandscapebuildingspathtreeskyfigure
suitable for beginners

This painting is great for practicing expressive brushstrokes and understanding how to create depth using simple perspective. Students will also learn how to mix colors to achieve a vibrant, impressionistic feel.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the path, buildings, and tree.

  2. step 02

    Block in the sky with light blue, using short, visible brushstrokes.

  3. step 03

    Paint the sun using yellows and oranges, applying thick, radiating strokes.

  4. step 04

    Add the distant hills and fields with varying shades of green, using a blocky brushstroke technique.

  5. step 05

    Paint the path with browns and yellows, following the perspective lines to create depth.

  6. step 06

    Add the buildings with their respective colors, paying attention to their simple geometric forms.

  7. step 07

    Paint the tree with greens and browns, using circular strokes for the foliage.

  8. step 08

    Add the figure and its shadow, using a dark color and simple shapes.

color palette

primary · yellow · blue · brown · green

secondary · orange · white · red · purple

Mix browns from burnt sienna and ultramarine blue. Create lighter greens by mixing yellow with green and white. Achieve the sky's subtle variations by adding white and a touch of purple to the blue.

techniques

  • ·Impasto
  • ·Broken color
  • ·Perspective
  • ·Color mixing
  • ·Blocking

common pitfalls

  • →Overblending colors, losing the vibrancy of the brushstrokes.
  • →Ignoring perspective, resulting in a flat or distorted composition.
  • →Using too much detail, which detracts from the painting's expressive style.
  • →Not varying brushstrokes enough, creating a monotonous texture.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or Oil paints (yellow, blue, brown, green, white)
  • ·Assorted flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (if using acrylics)
  • ·Linseed oil (if using oils)
  • ·Rags

optional

  • ·Easel
  • ·Medium gloss
  • ·Varnish

Use thick paint to achieve the impasto effect. Experiment with different brush sizes and strokes to create varied textures.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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