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home·artworks·65. Wheat Field with Gulls (after Crows) 2017 by Anthony D. Padgett (after Van Gogh Auvers Sur Oise 1890)
65. Wheat Field with Gulls (after Crows) 2017 by Anthony D. Padgett (after Van Gogh Auvers Sur Oise 1890) by Anthony Padgett

plate no. 0239

65. Wheat Field with Gulls (after Crows) 2017 by Anthony D. Padgett (after Van Gogh Auvers Sur Oise 1890)

Anthony Padgett, 2017

oilPost-Impressionismsymbolic paintingpathtreesbirdsfieldskylandscape
some experience helpful

Recreating this painting will help students practice layering colors with visible brushstrokes and understanding atmospheric perspective to create depth. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the path and horizon line.

  2. step 02

    Block in the sky with light blue and white, using short, broken brushstrokes.

  3. step 03

    Establish the main areas of the field with green and yellow, varying the tones to create texture.

  4. step 04

    Paint the path using shades of gray, adding highlights and shadows to suggest form.

  5. step 05

    Add the trees, simplifying their shapes and using a mix of greens, browns, and blues.

  6. step 06

    Paint the birds using dark gray or black, varying their sizes and positions to create a sense of movement.

  7. step 07

    Refine the details, adding highlights and shadows to enhance the overall effect.

color palette

primary · titanium white · cerulean blue · sap green · payne's gray

secondary · burnt umber · yellow ochre · cadmium yellow light

Mix greens by combining blue and yellow, and grays by combining blue, white, and a touch of umber. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·atmospheric perspective
  • ·simplification of forms

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Making the colors too uniform and lacking variation.
  • →Failing to create a sense of depth and perspective.
  • →Getting the proportions of the birds wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#6 flat brush
  • ·#2 round brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Experiment with different brush sizes to achieve varied textures.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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