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home·artworks·64. Field with Wheat Stacks 2017 by Anthony D. Padgett (after Van Gogh Auvers Sur Oise 1890)
64. Field with Wheat Stacks 2017 by Anthony D. Padgett (after Van Gogh Auvers Sur Oise 1890) by Anthony Padgett

plate no. 3729

64. Field with Wheat Stacks 2017 by Anthony D. Padgett (after Van Gogh Auvers Sur Oise 1890)

Anthony Padgett, 2017

oilPost-Impressionismsymbolic paintingfieldhay balesskylandscapewheathorizon
some experience helpful

This painting is great for practicing impasto techniques and understanding how to create depth through color and brushstroke direction. Students will also learn how to simplify a complex scene into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the hay bales and the horizon line.

  2. step 02

    Block in the sky with a light blue, using short, vertical brushstrokes.

  3. step 03

    Establish the background trees with a darker green, using horizontal strokes.

  4. step 04

    Begin blocking in the field with various shades of yellow, ochre, and brown, using directional brushstrokes to suggest the texture of the wheat.

  5. step 05

    Add the hay bales, starting with the large one in the foreground, using a mix of white, brown, and grey.

  6. step 06

    Refine the details of the hay bales, adding shadows and highlights to create a sense of form.

  7. step 07

    Adjust the colors and values of the field to create depth and atmosphere.

  8. step 08

    Add final touches and highlights to the entire painting.

color palette

primary · yellow ochre · titanium white · burnt umber

secondary · cerulean blue · sap green · raw sienna

Mix various shades of yellow and brown for the field, using white to lighten and umber to darken. Achieve the sky color by mixing white with a touch of blue.

techniques

  • ·impasto
  • ·directional brushstrokes
  • ·color mixing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not paying attention to the direction of the brushstrokes, which can flatten the image.
  • →Using too much detail in the background, which can distract from the focal point.
  • →Failing to create enough contrast between the light and dark areas.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#8 flat brush
  • ·#4 round brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grit canvas for best results. Consider using a palette knife for applying thick layers of paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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