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home·artworks·61. The Combine Harvester After Reaper with Sickle 2017 by Anthony D. Padgett (after Van Gogh Saint Remy 1889)
61. The Combine Harvester After  Reaper with Sickle 2017 by Anthony D. Padgett (after Van Gogh Saint Remy 1889) by Anthony Padgett

plate no. 9670

61. The Combine Harvester After Reaper with Sickle 2017 by Anthony D. Padgett (after Van Gogh Saint Remy 1889)

Anthony Padgett, 2017

oilPost-Impressionismsymbolic paintingcombine harvesterfieldskyagriculturemachinefigure
some experience helpful

Recreating this painting will help students develop skills in blocking in shapes with bold brushstrokes and understanding color relationships to create depth and form. It's a good exercise in simplifying complex machinery into basic geometric forms.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the combine harvester and the landscape, focusing on proportions and placement.

  2. step 02

    Block in the sky with light blue and white, using broad, horizontal strokes.

  3. step 03

    Establish the field with a base layer of ochre and green, varying the colors to create texture.

  4. step 04

    Begin blocking in the main colors of the combine: red for the body, blue for the front and top.

  5. step 05

    Add darker values to create shadows and define the forms of the combine.

  6. step 06

    Use smaller brushstrokes to add details like the windows, wheels, and other mechanical parts.

  7. step 07

    Refine the colors and values, paying attention to the interplay of light and shadow.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · sap green · violet

Mix various shades of blue by adding white or violet to ultramarine. Create different tones of red by mixing with white or a touch of yellow ochre. Achieve the field colors by blending yellow ochre, sap green, and a small amount of burnt umber.

techniques

  • ·impasto
  • ·broken color
  • ·blocking in
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Not establishing a strong value structure early on.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the overall composition and focusing too much on individual parts.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#8 flat brush
  • ·#4 round brush
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas to allow for texture. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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