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home·artworks·56. The White House at Night Auvers by Van Gogh 1890 and Steph's House by Anthony D. Padgett 2017
56. The White House at Night   Auvers by Van Gogh 1890 and Steph's House by Anthony D. Padgett 2017 by Anthony Padgett

plate no. 2260

56. The White House at Night Auvers by Van Gogh 1890 and Steph's House by Anthony D. Padgett 2017

Anthony Padgett, 2017

oilPost-Impressionismsymbolic paintinghousetreesskycloudsfigurestreet
some experience helpful

Recreating this painting will help students develop skills in applying thick, textured brushstrokes and understanding how to represent form with blocks of color. It also provides practice in creating a sense of depth through perspective and color variation.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the house, trees, and figure, paying attention to perspective.

  2. step 02

    Block in the sky with broad strokes of blue and white, creating the cloud shapes.

  3. step 03

    Apply the base colors for the house (browns and oranges), using visible brushstrokes to define the brick texture.

  4. step 04

    Paint the trees with varying shades of green, adding highlights and shadows to create volume.

  5. step 05

    Add the figure with simplified shapes and colors, focusing on the overall form rather than intricate details.

  6. step 06

    Paint the street using a grid pattern and varying shades of gray and white to create a sense of depth.

  7. step 07

    Add details such as windows, roof lines, and the chimney, using darker colors to define the edges.

  8. step 08

    Refine the brushstrokes and color variations to achieve the desired texture and depth.

color palette

primary · cerulean blue · burnt sienna · titanium white · sap green

secondary · cadmium red · yellow ochre · payne's gray

Mix different shades of brown by combining burnt sienna, yellow ochre, and a touch of blue or black. Vary the greens by mixing sap green with yellow ochre and white for highlights, and adding a touch of blue for shadows.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the brushstrokes and losing the freshness of the painting.
  • →Failing to establish a clear sense of perspective.
  • →Using colors that are too saturated and not mixing enough variations.
  • →Getting bogged down in details and losing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a palette knife for applying thicker layers of paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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