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home·artworks·09. Self Portrait in Front of the Easel of Vincent Van Gogh Paris 1888 by Anthony D. Padgett 2017
09. Self Portrait in Front of the Easel of Vincent Van Gogh Paris 1888 by Anthony D. Padgett 2017 by Anthony Padgett

plate no. 5494

09. Self Portrait in Front of the Easel of Vincent Van Gogh Paris 1888 by Anthony D. Padgett 2017

Anthony Padgett, 2017

oilPost-Impressionismsymbolic paintingportraitself-portraitartisteaselpalettefigure
some experience helpful

This painting provides an opportunity to practice broken color techniques and expressive brushwork to create form and texture. Students can learn to simplify complex forms into basic shapes and use color temperature to create depth.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, easel, and palette.

  2. step 02

    Establish the background with broad strokes of muted colors.

  3. step 03

    Block in the main areas of color for the face, hair, beard, and clothing using simplified shapes.

  4. step 04

    Develop the facial features and details with short, directional brushstrokes.

  5. step 05

    Add the details of the shirt pattern using contrasting colors.

  6. step 06

    Paint the easel and palette, paying attention to the light and shadow.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · ultramarine blue · cadmium orange · titanium white

secondary · yellow ochre · burnt sienna · cadmium red

Mix various shades of blue by adding white or a touch of orange. Create skin tones by mixing orange, white, and a small amount of blue or green. Use yellow ochre and white for highlights.

techniques

  • ·Broken color
  • ·Impasto
  • ·Directional brushstrokes
  • ·Color temperature
  • ·Simplifying forms

common pitfalls

  • →Overblending colors, losing the vibrancy of the brushstrokes.
  • →Getting bogged down in details too early.
  • →Not paying attention to the direction of the brushstrokes.
  • →Using too much paint, creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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