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home·artworks·08. Self Portrait 2017 by Anthony D. Padgett After Van Gogh Paris 1887
08. Self Portrait 2017 by Anthony D. Padgett After Van Gogh Paris 1887 by Anthony Padgett

plate no. 9965

08. Self Portrait 2017 by Anthony D. Padgett After Van Gogh Paris 1887

Anthony Padgett, 2017

oilPost-Impressionismsymbolic paintingportraitfiguremanfacehairclothing
some experience helpful

Recreating this painting will help students practice portrait proportions and learn to simplify forms using bold brushstrokes. It also encourages experimentation with color temperature to create depth and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions of the face and body.

  2. step 02

    Block in the main areas of color for the skin, hair, clothing, and background.

  3. step 03

    Refine the facial features, paying attention to the placement of the eyes, nose, and mouth.

  4. step 04

    Add shadows and highlights to create depth and dimension in the face.

  5. step 05

    Develop the background with directional brushstrokes of dark blue and red.

  6. step 06

    Define the clothing with simple shapes and contrasting values.

  7. step 07

    Add final details and adjust colors as needed.

  8. step 08

    Allow to dry and apply a varnish for protection.

color palette

primary · titanium white · raw umber · ultramarine blue · cadmium red

secondary · yellow ochre · burnt sienna

Mix white with raw umber and yellow ochre to create various skin tones. Use ultramarine blue and burnt sienna to create dark neutrals for the background and clothing. Mix cadmium red with a touch of raw umber for the background accents.

techniques

  • ·blocking in
  • ·directional brushstrokes
  • ·color mixing
  • ·simplifying forms
  • ·scumbling

common pitfalls

  • →Overworking the details
  • →Getting the proportions wrong
  • →Using too much paint
  • →Not blending colors sufficiently
  • →Ignoring the directional brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, raw umber, ultramarine blue, cadmium red, yellow ochre, burnt sienna)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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