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home·artworks·07. Self Portrait of Vincent Van Gogh Paris 1887 by Anthony D.Padgett 2017
07. Self Portrait of Vincent Van Gogh Paris 1887 by Anthony D.Padgett 2017 by Anthony Padgett

plate no. 5809

07. Self Portrait of Vincent Van Gogh Paris 1887 by Anthony D.Padgett 2017

Anthony Padgett, 2017

oilPost-Impressionismsymbolic paintingportraitmanbeardself-portraitclothingface
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and creating texture with visible brushstrokes. It also provides practice in portraiture and capturing likeness.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Block in the background with broad strokes of color, focusing on the overall pattern.

  3. step 03

    Establish the main skin tones using a limited palette of warm and cool colors.

  4. step 04

    Define the facial features, paying attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add details to the beard and hair, using short, directional brushstrokes.

  6. step 06

    Paint the clothing, focusing on the pattern and folds.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · yellow ochre · burnt sienna · titanium white · ultramarine blue

secondary · cadmium red · viridian green · raw umber

Mix skin tones by blending yellow ochre, burnt sienna, and titanium white. Use ultramarine blue and burnt sienna to create grays and browns. Add small amounts of cadmium red to warm up skin tones.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·color layering

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Losing the overall structure and proportions of the portrait.
  • →Focusing too much on details early on.
  • →Not varying brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish
  • ·mahl stick

Use a medium-textured canvas for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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