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home·artworks·04. Still Life Pink Roses in a Vase 2017 by Anthony D. Padgett (after Van Gogh Saint Remy 1890)
04. Still Life Pink Roses in a Vase 2017 by Anthony D. Padgett (after Van Gogh Saint Remy 1890) by Anthony Padgett

plate no. 1528

04. Still Life Pink Roses in a Vase 2017 by Anthony D. Padgett (after Van Gogh Saint Remy 1890)

Anthony Padgett, 2017

oilPost-Impressionismsymbolic paintingrosesvaseflowersstill lifeleavestable
some experience helpful

Recreating this painting will help students develop skills in impasto brushwork and color mixing to create vibrant, textured surfaces. It also offers practice in simplifying complex forms into expressive strokes.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, roses, and leaves, focusing on proportions.

  2. step 02

    Block in the background with broad strokes of pink and white, creating a textured effect.

  3. step 03

    Establish the dark and light values on the table surface using browns and reds.

  4. step 04

    Begin painting the roses, using a mix of reds, pinks, and whites, applying thick, short strokes to define the petals.

  5. step 05

    Add the leaves, using a mix of greens, blues, and yellows, varying the brushstrokes to create depth.

  6. step 06

    Refine the shapes and colors of the vase, blending some areas and leaving others with visible brushstrokes.

  7. step 07

    Add highlights and shadows to the roses and leaves to enhance their form.

  8. step 08

    Review the overall composition and make any necessary adjustments to balance the colors and values.

color palette

primary · rose madder · titanium white · viridian green

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the various pinks by mixing rose madder and titanium white in different ratios. Create the greens by mixing viridian green with yellow ochre or ultramarine blue.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Not varying the brushstrokes enough, leading to a flat, uniform texture.
  • →Ignoring the underlying structure of the roses and leaves, making them appear shapeless.
  • →Using colors straight from the tube without mixing, resulting in a lack of harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·assorted flat brushes
  • ·rose madder oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the impasto effect. Consider using a fast-drying medium to speed up the drying time of the oil paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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