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home·artworks·01. A Portrait by Anthony of His Brother, Philip 2017 by Anthony D. Padgett (after Theo by Van Gogh C.1880)
01. A Portrait by Anthony of His Brother, Philip 2017 by Anthony D. Padgett (after Theo by Van Gogh C.1880) by Anthony Padgett

plate no. 1604

01. A Portrait by Anthony of His Brother, Philip 2017 by Anthony D. Padgett (after Theo by Van Gogh C.1880)

Anthony Padgett, 2017

oilPost-Impressionismsymbolic paintingportraitfiguremanclothingshadowsbackground
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into basic shapes and using expressive brushstrokes to create texture and depth. It also provides practice in value studies and limited color palettes.

technical profile

palette complexity
2
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the darkest areas with the darkest gray mix.

  3. step 03

    Apply the lightest gray/white tones, focusing on highlights.

  4. step 04

    Add the mid-tone grays, blending slightly where needed.

  5. step 05

    Use short, directional brushstrokes to define the form and create texture.

  6. step 06

    Add small touches of red to the edges of the shapes to create visual interest.

  7. step 07

    Refine the facial features and details, paying attention to the play of light and shadow.

  8. step 08

    Add the signature.

color palette

primary · titanium white · lamp black · payne's gray

secondary · cadmium red light

Mix various shades of gray by combining white and black in different ratios. Add a touch of red to the gray for subtle warmth.

techniques

  • ·alla prima
  • ·broken color
  • ·directional brushstrokes
  • ·value study
  • ·scumbling

common pitfalls

  • →Over-blending the brushstrokes, losing the expressive texture.
  • →Getting the proportions wrong in the initial sketch.
  • →Using too much red, overpowering the gray tones.
  • →Not simplifying the forms enough, resulting in a cluttered image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·lamp black oil paint
  • ·payne's gray oil paint
  • ·cadmium red light oil paint
  • ·#6 flat brush
  • ·#2 round brush
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

A pre-toned canvas with a light gray wash can be helpful. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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