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Zinc by Amadeo de Souza-Cardoso

plate no. 7186

Zinc

Amadeo de Souza-Cardoso, 1917

oilCubismreligious paintingfiguretextabstractgeometric shapesreligiousadvertisement
experienced study

Recreating this painting will help students develop skills in abstract composition, color mixing for muted tones, and creating texture with visible brushstrokes. It also encourages experimentation with layering and juxtaposing different elements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and compositional elements, focusing on their relative positions.

  2. step 02

    Block in the large areas of color, starting with the background and darkest tones.

  3. step 03

    Begin layering colors, paying attention to the subtle variations within each shape.

  4. step 04

    Add the figure and text elements, focusing on their shapes and outlines.

  5. step 05

    Build up texture by applying paint with visible brushstrokes, varying the direction and pressure.

  6. step 06

    Refine the edges of shapes and add details, such as the eye and smaller geometric forms.

  7. step 07

    Adjust the overall balance of color and value to match the original painting.

  8. step 08

    Add final details and highlights to enhance the texture and depth.

color palette

primary · red · green · black · white

secondary · yellow · blue · brown

Achieve the muted tones by mixing complementary colors and adding white or black to adjust the value. Experiment with layering different colors to create depth and complexity.

techniques

  • ·impasto
  • ·dry brush
  • ·scumbling
  • ·color layering
  • ·geometric abstraction

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the underlying structure and composition.
  • →Applying paint too smoothly, losing the textural quality.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Using a textured canvas can enhance the impasto effect. Acrylics are faster drying, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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