apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Young sheperd
Young sheperd by Jean-Victor Schnetz

plate no. 7276

Young sheperd

Jean-Victor Schnetz, 1850

pastelAcademicismportraitfiguregoatportraitclothinghatrock
some experience helpful

Recreating this pastel drawing will help students develop skills in figure drawing, rendering textures with pastel, and creating subtle color transitions through layering and blending.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on proportions and placement of the figure and goat.

  2. step 02

    Establish the basic shapes and forms of the figure and goat with light pastel strokes.

  3. step 03

    Begin layering colors to build up the skin tones, clothing, and fur, paying attention to the light and shadow.

  4. step 04

    Blend the pastel strokes to create smooth transitions and soft edges.

  5. step 05

    Add details to the face, hands, and clothing, using sharper pastel pencils for finer lines.

  6. step 06

    Develop the background with subtle color variations and textures.

  7. step 07

    Refine the highlights and shadows to enhance the form and create depth.

  8. step 08

    Add final details and adjust the overall balance of the drawing.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · Prussian blue · cadmium red light · yellow ochre

Mix raw umber and white for the goat's fur. Use burnt sienna and red for the vest. Mix blue and white for the pants.

techniques

  • ·layering
  • ·blending
  • ·hatching
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Over-blending, which can result in a muddy or flat appearance.
  • →Incorrect proportions in the figure drawing.
  • →Lack of attention to light and shadow, resulting in a lack of depth.
  • →Using too much pressure when applying pastel, which can make it difficult to blend.

materials

surface · Pastel paper (toned or white)

required

  • ·Pastel pencils (various shades of brown, gray, blue, red, and white)
  • ·Pastel sticks (soft and hard)
  • ·Pastel paper (toned or white)
  • ·Kneaded eraser
  • ·Blending stumps or tortillions
  • ·Fixative spray
  • ·Pencil sharpener

optional

  • ·Palette knife
  • ·Workable fixative

Use a sanded pastel paper for better tooth and layering capabilities. Consider using a workable fixative to prevent smudging during the drawing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus